Andrew Kötting Movies

Eden Kötting draws bright images on transparent glass, while talking with her dad about the world and the people who run it.

A whale in a whalebone box.

The film was made in one take over a period of four hours, using a manual time-lapse facility on a Sony PD170 DV Camera. It was shot up in the Faroe...

Three monitors played Mini DV footage that had been edited specifically for the Installation. Broken down into three elements: Landscape, People and...

At the threshold of the last mystery you have looked into the eyes of your creature self and watched the sun come dripping a bucket full of gold.

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Andrew Kötting’s short film ‘That’s the Way to Do It’ is based on Farquhar’s life-size Punch & Judy performance...

Each piece was edited from material that was from the SWANDOWN shoot and named Artefacts 1-5.

Raw HD time-lapse sequences made for the feature film SWANDOWN re-edited and manipulated.

BECAUSE THE REST IS SILENCE reconfigures aspects of Kötting’s previous moving image works, which focus on the idea of place. But perhaps...

1989 short film by Andrew Kötting

A companion piece to the film IT’S ALL IN THE MIND commissioned through Channel 4 for their RANDOM ACTS strand. This time however we are not...

A companion piece to Andrew and Eden Kötting’s FORGOTTEN THE QUEEN except this time we are sailing into a male storm, a place of make...

The worlds of Franz Kafka and Josef Fritzl collide to produce a disturbing insight into the notions of incubation as heard through the ears of...

Hope Holds Up Her Head And Hopes is an experimental short film that hovers above the make-believe world of hope. The film-maker’s daughter...

"In the summer of 2010 I was artist-in-residence at Intermondes and the International Film Festival of La Rochelle. My ambition was to try and...

In a world of make-believe anything is possible and yet Men are still stuck in their dark holes. Eden Kötting's drawings of trees and animals...

'I’m not moaning, you don’t hear me moaning!' These are the words spoken by Gladys Morris, the artist’s dead grandmother, that...

Made with a standard 8 Bolex camera and possibly Andrew Kötting’s first film. Shot alongside a wall in Mottingham with Danny Baker whilst...