Narcisa Hirsch Movies

Marabunta, a ceremony in collective anthropophagy involving a six-meter skeleton completely covered in fruit and food, inside of which were live...

Hirsch’s first steps in filmmaking were documentations of her performances and happenings in public spaces. These were collective actions,...

A video letter that Hirsch made for Hans Hurch after attending the 2012 Viennale

The Super 8mm film “Muñecos” (1972) — shot by the artist, Leopoldo Maler and Carolee Schneemann — combines recordings...

Over the course of one year, Narcisa Hirsch left a super 8 camera on a tripod in a paddock near her house in the Patagonia. When she was away, she...

The role of men returning from the war; it is the end of the battles and ideologies.

Half a ton of explosives demolishes in front of thirty thousand people the building complex that served as a shelter in the Buenos Aires neighborhood...

The dialogue of a woman with herself split into two unknown opposites.

"...Part of Descendencia was originally shot in 16mm film by the husband of my grandmother. This was in 1928. It was my family’s footage. It...

A Super 8 film by Narcisa Hirsch

A film about lights and shadows.

a film by Narcisa Hirsch

This film is the testimony of men speaking to their own image. Each man, alone in a dark space, speaks to himself while watching his own projection....

This is a recently-found roll of Super 8 in which we can see black and white photos (several childhood and family memories, some images that were to...

A young couple, locked in a room quietly relates, as she recalls her life from birth until the arrival of first love.

But in Rafael in Rio (1977), the stability between the voice and the images drifts, as well as their relationship. What we see is Maino diving into...

DIARIOS PATAGÓNICOS 2 explores Narcisa Hirschs everyday life, travels and friends that reveal their working methods.