Malcolm Le Grice Movies

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

When I reviewed the video material it reminded me of a theatre performance which I recalled as “A Lecture to an Academy”, given by Tutte...

Directed by Malcolm le Grice.

Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...

A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their...

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

Film performance, using a back projection screen as well as several projection sources, including a red and green source close together (requires 3D...

"This is a two screen film where a full frame colour field slowly changes from blue to towards green over a period of about six minutes. The film has...

A one-off performance, never repeated but led to Horror Film 1.

From the earliest point when I started to make film one of the biggest influence on my way of thinking came from Franz Kafka. In particular the...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...